Magnolia Network to Launch Premium Family-Friendly Unscripted Content Slate This Fall on Max
Debuting this fall, Magnolia Network will launch its all-new family-friendly unscripted content slate created for Max. From ambitious large-scale competitions to out-of-the-box social experiments, this premium content initiative for Max will be produced specifically for the whole household to watch and enjoy together, filled with elements of surprise, delight and authenticity.
Review: FAWLTY TOWERS THE PLAY, Apollo Theatre
For a sitcom that only lasted for 12 episodes, Fawlty Towers left an indelible mark on British comedy. Discourteous hotel owner Basil Fawlty and his shrewish wife Sybil became legends, along with long-suffering chambermaid Polly and hapless waiter Manuel. Previously staged in Australia, this nostalgic and tightly choreographed play is adapted by the series’ original co-writer John Cleese.
Cast & Directors Set For PlayLab Festival
Florida Repertory Theatre has announced the casts, directors, and stage managers for its 2024 PlayLab Festival. Creative teams and casts, including Florida Rep ensemble members and returning guest artists, alongside others many making their Florida Rep debuts, join five playwrights from New York and Los Angeles, and around the country.
Julia Nicole Hunter Comes Home to Tennessee, Playing Grace Farrell in ANNIE
In the world of theater, there exists a sisterhood of women who can count an appearance as an orphan (maybe even THE orphan) in a production of Annie as either their first onstage role or one of their most vivid onstage performances. But for Murfreesboro native Julia Nicole Hunter, who now stars as Grace Farrell in the national touring company of the seven-time Tony Award-winning musical coming to Tennessee Performing Arts Center this week, her current role as Oliver Warbucks’ faithful assistant marks her first time ever in the show.
Review: OPENING NIGHT, Gielgud Theatre
Now a stage musical, John Cassavetes’ 1977 film Opening Night was a commercial flop when it was released, later becoming something of a cult classic of American independent cinema. Director Ivo Van Hove specialises in bringing work to the stage that may be called “challenging”. Challenging can be hugely successful, but I’ve rarely seen a production more determined to confuse and frustrate an audience.